Served as the Director for the music video of Mirai Askar’s cover of 'Maalomat Mesh Akideh', originally performed by Latifa. Executed as an independent, low-budget production, the project focuses on delivering an intimate and atmospheric visual accompaniment to the musical cover. The direction prioritizes resourcefulness, converting a single-location indoor setting into a dynamic narrative space through precise framing and strategic environmental sta
The Music video
Visual Direction & Cinematography
The visual identity of this project relies heavily on a minimalist aesthetic that breaks down scenes into micro-details to drive the emotional weight of the cover. The cinematography utilizes selective low-key lighting, capturing the contrast between harsh natural window light and deep ambient shadows. Key visual motifs such as the synchronization of hands on the piano and the isolating focus on individual domestic elements are employed to enhance the intimacy of the performance, establishing a cohesive and visually textured cinematic experience with minimal technical assets.
More from music-videos
Asmranieh ( أسمرانية )
The music video for Souhir Saleh’s 'Asmranieh' is a zero-budget independent production that relies entirely on available natural lighting, indoor environments, and strategic framing. Visually, the direction alternates between clean, minimalist solid backgrounds and a dynamic multi-panel split-screen layout that displays concurrent angles and micro-details simultaneously. The cinematography utilizes natural daylight, shadow play, and soft-focus lenses to enhance texture, costume design, and subtle physical expressions, delivering a highly structured cinematic aesthetic without any financial allocation for production gear or studio sets.
HAYIRA (حايرة )
"Served as the Director for the official music video of Souhir Saleh's 'HAYIRA' . The project was executed under strict budgetary constraints and managed by a minimal production crew of only four people. Responsibilities included overseeing the visual direction and maximizing available resources to deliver a high-quality cinematic outcome. The project stands as a practical case study in high-efficiency, low-budget independent filmmaking and resourceful crew management."
Cuts: in very deep & private sessions
an intimate musical documentation project featuring Leen Rehawi, filmed in Damascus. This work explores the intersection of personal creative space and performance, capturing a deep, private session. It stands as a candid portrait of a musician in her natural, unmediated environment